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SWG3, Glasgow

Tuesday 28th, March

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PREVIEW

Phil and Paul Hartnoll are the two brothers that formed the electronic dance act, Orbital in 1989. The band’s name is taken from Greater London’s ‘Orbital Motorway’ the M25. Which was central to the early rave scene during the early days of Acid House. In 1989 Orbital recorded “Chime’ on their fathers four track tape deck. It was stroke of musical genius that began the career of one of the world’s most successful dance acts. It was Glastonbury 1994 that Orbital played their breakthrough show, launching rave culture into the mainstream, another amazing Glastonbury Moment that would change both Orbitals lives and Divine’s life at the same time. It was the year that I had my Kundalini awakening the magik that year was indeed potent. 1994 was a sunbaked gorgeousness of a festival. Indeed it was a point that brought about the birth of countless electronic dance acts. But none are quite as big and successful as Orbital.

The Hartnoll brothers first incarnation of Orbital lasted until 2004 and released 7 incredibly successful, mega selling long players, headlining festivals globally they took their unique brand of electronic music to increasing success, at one point during the first incarnation, Orbital were one of the biggest acts on the planet. The duo went their separate ways in 2004 after changing dance culture forever and burning themselves into the consciousness of the musical planet, with legendary light shows and phenomenal production. Orbital were born from the same culture that created the Electronic Heavyweights, Underworld, The Chemical Brothers and The Prodigy.

Indeed, Divine has been a fan for a long time. It was Glastonbury 2004, It was the wettest of wet festivals, I had been working all weekend in the Healing Fields, the rain had been persistent and The Glastonbury site had been turned into thick congealing mud, Orbital were headlining the NME stage on the Sunday Night. Because it was rumoured to be their last live performance. I went extra out of my way to be there for it. I even wore my purple kilt for the occasion. Anyway I got to the stage n good time, Got central perfect speaker separation and view of the stage, feet firmly planet in the mud, it was pissing it down and indeed the gig was out of this world. And because I had my boots firmly planted in the mud I could dance like mental without falling over, I will never forget Orbitals take on the Dr Who Theme Tune and the blue lighting of the stage, Oh aye, it was one of them amazing Glastonbury moments, speechlessly good. It was just after the Orbital Gig, I was priding myself on not slipping once, was weaving my way back to the Healing Fields along the path to the stone circle, It was still really pissing it down, the ground disappeared and I was sliding down a trench, a hand appears from nowhere and pulls me out, I was covered in mud and a bit embarrassed. I mean what a girl goes through for one’s electronic heroes.

So, 10 years that took them to the peak of Rock N Roll Brilliance And then they were gone. A generation of 30-somethings mourned the good old days and serotonin levels balanced out with the aid of a little therapy. Everyone thought life willnae be the same without Orbital. Being a DJ myself I have always sought out remixes of Orbitals work and always without exception bring Orbital into the mix, as did countless other 30-something DJ’s at the time. Keeping the legacy alive.

Orbital: The Rebirth

After four long years apart and with a focus on individual creative side project’s. The separation proved too much for the Hartnoll brothers and on the 21st November 2008. Orbital announced that they were reforming to begin the duos rebirth and return to the live arena but wouldn’t release a new album of originals until Wonky in 2012. Indeed Orbital performed at The HMV Picturehouse on the Wonky Tour. I couldnae afford to go at the time, it was before I started writing reviews and had already bought tickets for Gary Numan and The Human League. I bought the Album Wonky But couldnae stretch my funds to an Orbital ticket too.

Orbital: The End Of The Rebirth

On 21 October 2014, Orbital announced on their official website that they were “hanging up their iconic torch-glasses and parting ways for the final time” but would continue to work on projects separately. Phil Hartnoll focused on a DJ career, including a performance at Fuji Rock Festival, while Paul Hartnoll worked on a variety of music projects, including a solo album under the name 8:58 in 2015.

Orbital: The Rebirth Of The Rebirth

By 2017 they were back on it for a much-anticipated reconciliation and reunion with tour dates and a new album called Monsters Exist. Indeed Orbital have soundtracked a great proportion of my adult life. Yes I do love them. My last Orbital experience was at Sol Fest last year when I was on Production and DJing for Roo’s Lagoon.. I was pretty tired though, had been on it for four days and was Djing from 2am till 4am Monday Morning. The Closing Set of The Lagoon and the closing set of the festival. So was not completely present for that Orbital Experience.

So with great Joy, I have been given the opportunity to review one of my all-time favourite electronic Live Dance Acts. Orbital at SWG3 in Glasgow. Raymond Speedie will be on photographs. Divine on words. I will be accompanied by the very beautiful Zoe, Its gonna be fantastic,

See Ya On The Dancefloor at SWG3.

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THE SHOW

It was my first time at SWG3 tucked away on the side of the M8, an old warehouse that interestingly enough, was a venue for illegal Raves back in the day. the subculture that began the careers of tonight’s reason for being there. Orbital Touring their brilliant new long-player Optical Delusion.

I met up with my dancing partner of the night, Zoe and we both headed to Partik and the SWG3 venue. We arrived at doors opening as I wanted to take in the full show. Tonights opening DJ and support to the mighty Orbital. Manami didn’t disappoint. A young lady that was born in Tokyo and now resident in Bristol, an accomplished classical pianist and producer and a much-in-demand DJ. Manami warmed up the SWG3 venue perfectly with a perfectly mixed set that was killa and nae filla. Manami performed for a solid two hours. I had such a good time and the dance was awesome. Manami is one buzzing talent and couldn’t have been better placed to begin this night of quality entertainment.

By the time Manami had played her last tune the venue was packed with middle-aged ravers vibed up and ready for the spellbinding amazingness that was to come. The HatnoLl Brothers took to the stage with their legendary light specs and the audience went wild. Everyone present was up for this as a news report from the birth of Rave Culture was broadcast full of disdain and condemnation, the paranoia of the Tory Scum that feared young people having a good time, so much so. Thatcher,s cronies developed a whole bill to outlaw people from having a good time. It became known as the Criminal Justice Bill, just like Rishis current ban on laughing gas. Aye Tories are a waste of space. Indeed, this was the sentiment of tonight’s performance. With a set heavenly drawn from Orbital’s new album. A long player packed with delightful ear candy. Ringa Ringa (The Old Pandemic Folk Song) the duet with the Medieval Babes was well received The audience went wild for “Dirty Rat” the duet with The Sleaford Mods. A song packed with uncomfortable truths, demonstrating everything that is wrong with current Tory Policy. TotalLy fantastic. My fave (And current electronic dance anthem) Day One. was just superb. This was the track that I had been longing to hear played live through the Orbital Sound System.

Of course there were old faves too; Halycon (Spicy) Belfast, Satan, Chime, Impact (The Earth Is Burning). It was nothing less than a fantastic set list that had everyone dancing and raving like the last thirty years hadnae happened. Even the reworked Spice Girls number although cheese personified was a welcome addition to the classics. Fitting in very well indeed with the quality of the new material. Absolutely no one was disappointed and everyone had the best time ever. The Orbital light show was phenomenal combined with material this good. It goes to show, that middle-aged ravers do it better. Four hours of the best electronic musical entertainment, relished by everyone present and indeed as is commonplace with Glasgow’s audiences, everyone was friendly and totally up for the best time possible. I’m still having flashbacks of excellence.

Without a doubt a 5 Star Performance and an absolutely brilliant night out.

Words: Mark ‘Divine’ Calvert

Photography: Raymond Speedie

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Glasgow, Hard Rock Cafe
24th March, 2023

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Glasgow’s Hard Rock Cafe in the heart of the city is quite the venue, but I was there for a Friday night gig. ‘Sons of Liberty’ are a group from Bristol who are a driving force of a musical movement called ‘Southern Rock’ with an over arching desire to keep the fires of sheer rock firmly on the map. In support was a band called ‘Preacher Stone’ who are from North Carolina (USA) for this much anticipated UK tour

This tour has triggered from 2021 release of ‘Sons of Liberty’ album ‘Aces & Eights’ and for all intents and purposes the night was a rock fest of special proportions, the band looked great, the room was very plush and of course the music rocked.

‘Preacher Stone were given a very healthy proportion of the night and rocked the stage like the cats they were. After forming in 2008 they immediately set about recording and came up with their debut in no time at all (only a year) and have a fascinating story from tours to winning certain rock awards.

The stage of the largish room is level with the audience who just soaked it all in, to thumping beats, monstrous lead guitar, fetching carefree vocals all to enhance for lovers of this newish blend of song writing. It has become a very well fitted rock salute in a tightness of greatly organised yet very playful, fast and easy event that they bring round them wherever they go.

And with their tattoos, leather wears, that all drip with character there was never a happier bunch, the joy was omnipresent. The blend or should I say fusion has been years and decades in the making, and I couldn’t help but hail to the past, and let images of Lemmy from the long ago Motor Head spring into mind. But the evening was for newness of everything, new material, fresh perspectives for young and old.

Rock, rock, rock, attitude, mind, community an excitement about everything, great new material, of fun, fun, fun! ‘Sons of Liberty’ debut release was an EP called ‘Shinola’ and after a couple more they won 4^th band of the year. The incredible effort that oozed from the stage had them kind of shining in a loud and freeing atmosphere, that was a straight shot from the fringes of the blessed rock n’ roll phenomenon, bringing out the very best it could be.

Friday night also has that special vibe to it, of bringing the week together, and coming out to just celebrate, well we did that thanks to all the organisers who are bringing this life enhancing music to our delighted ears, indeed let there be rock.  

Daniel Donnelly

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When I took in Orbital at Solfest last year, I couldn’t help thinking how apoplectic the whole presentation was with an emphasis on western man’s slavitude to the capitalist machine, With stark images projected onto the mega screens of Earth’s crippling industry, The very things people go to festivals to escape. From a critical perspective, I thought it was all problem and no solution. It was great art though and mesmerizingly presented.

Orbital The New Album. Optical Delusion (First Impressions)

I nipped into town today to the HMV on Princes Street in Edinburgh to snap up the new Orbital Long Player. Optical Illusion. Have got it on a loop as I am writing this.

The opening track “Ringa Ringa” alternatively titled “The Old Pandemic Folk Song” opens with an unmistakably Orbital Bass Line and launches into the nursery rhyme “Ring A Ring Of Roses” with vocals by The Medevil Babes” Proves to be a brilliant opener for a trip into Orbital Land. Boogie Boogie Boogie

Day one follows and is already my fave Dance Anthem of the year. A contemporary take on Classic Orbital, unbelievably catchy and the perfect tune in which to lose ones self on the dancefloor.

Are You Alive? Which is the current single is a beautiful piece of music and vocal sung by a lady called Penelope Isles. The electronic intrigue is very much present in Optical Illsutions only ballad, packed with melodic synth lines that sing as beautifully as Ms Isles.

You Are The Frequency (If You Wan to) An electronic hymn to the higher power. Indeed, why wouldn’t you? With cheeky, Acid House synths to awaken anyone’s inner raver.

The New Abnormal follows suit to continue the dance delving into Trip Hop, Its a Hoola Hoop Spinner

Home. With lead Vocal by Anna B Clavage A poetic homage to global warming. with words that are sung beautifully to drill in the fact that Mother Earth is our only home. Come what may, The earth Mother will take back eventually, that which has been taken.

The first of the singles, Dirty Rat dueted with The Sleaford Mods is a single that has been working its way into my consciousness since its release. A political truth anthem and Tory baiting beauty of a song, set to the Hartnol brothers’ brilliant beats and electronics.

Requiem For The Pre-Apocalypse. The album’s only Drum N Bass offering, styled with lots of lovely Orbital touches and synth flourishes Indeed an engaging beauty of a track The Pre Apocalypse sounds really good. (Rewind)

What A Surprise. Is a fully rewarding piece of ear candy, Electronica inspiring my inner choreographer, The beats infecting my limbs with Robotic Moves, Its a keeper.

And Last but not least. The final track on this excellent long player. Moon Princes Beautiful vocals performed by a lady called “Coppe” A beautiful electronic symphony of a song, expertly demonstrates the variety and scope of lush electronica.

The Divine Conclusion.

Optical Delusion is brilliant throughout packed with accessible and thoroughly entertaining elrctronica. It is a cohesive work of art that holds one from start to finish. (Its still on a loop) Its all killa with nae filla

The Conundrum?

I was looking for a solution to the problems presented by Orbital at Solfest. Then I realised I was looking too hard. After all it was the great James Brown that stated, “Dance Solves Most Problems.” He wasnae wrong, Dance is the solution.

See Ya On The Dancefloor at SWG3.

Five Stars

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ORBITAL

Glasgow
Galvanizers, SWG3

Tuesday, March 28th

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The Bongo Club
Edinburgh
19.03.22.

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It was back in 2006, Divine had landed back in Edinburgh and I was pushing DJ Divine to break through to a new audience, and make new friends, both as a DJ and a performance poet. It was both The Wickerman and the Autumn Knockengorch that year that I met lots and lots of really cool friends that shared my creative interests, words, music, dance and Healing. A good time party and a Good Time Crew, Dumfries And Galloway walked into my heart, this crew really knew how to throw a party. A creative hub alive with inspiration. and love. lots of great things Eden Festival and lots and lots of successful bands and clubs were birthed as a result. indeed a creative heart was beating. Old uns and young uns coming together to celebrate the creative muse Great lasting friendships were forged and a new generation of Healing Wizards were born.

Divine is deeply honoured to still be friends with this pose of amazingness. We still come together to open up new doors Tom Spirals forever evolving musical greatness, A musical and Spiritual Visionary that has drawn international acclaim, Following a spiritual awakening in South America where he was shown the path to what he would achieve as a singer and musician. A self-fulfilling prophecy.

An Dannsa Dub
Tom Spirals: Flute And Electronics.
Ben Parkinson: Drums.
Maxi Roots on Bass Guitar
Nicky Kirk: Electric Guitar
Ewan McLaughlin: Violin.

Up until tonight Divine had been an An Dannsa Dub virgin. I knew it was going to be brilliant, It was the first time that I had been in The Bongo Club since the Fringe last year. I really enjoyed myself tonight, I Danced Danced Danced myself dizzy, DJ Dolphin Boy, I take my hat off to you, your tunes took me immediately it was such a good Groove with lots of cool catz that I havenae seen like forever, It was really nice. Bravo.

Then Wends (Swoon) a one Woman Rock Band, who’s beautiful lyrics about her growth as a human, poetically political in parts sung with such an amazing velvet voice that drips with passion Her masterful acoustic guitar playing gripped the audience and brought everyone out of their shells. I danced danced and danced some more. I I think that I shall b seeing more of this mercurial talent. Absolutely brilliant ❤

An Dannsa Dub are a Super Group of sorts. Five musicians who each have achieved musical acclaim in their own right. Together, they create a fusion of traditional Celtic and contemporary groove which sets dancefloors on fire where ever these guys perform. From large festival stages to up close and intimate concerts of wonderfulness, like tonight at The Bongo Club, deep in the Catacombs of Auldie Reekie. Driven by the brilliant, Ben Parkinson, a percussionist who’s rhythms unified everyone tonight. With Maxi Roots completing the rhythm section The Bass Beautiful Dub Tastic backbone, complimenting Toms Flutes an electronic wizardry. Together with Nicky Kirk’s excellent guitar licks and Ewan McLoughlin’s Violin.. An Dannsa Dub take the listener on a musical journey a Dub Symphonie that is infectious, exciting and completely brilliant.

Tonight’s concert was to launch An Dannsa Dub’s new Long Player, Air an Turas ( on the journey ).A title that does what it says on the packet. with deeply immersive musical content that thrills and excites, tonights audience were ecstatically dancing from start to finish. The CD copies of the album havenae been released yet, but have been promised a copy soon. So will relish writing a review for that too when it arrives. Patience is a virtue ❤ The only thing we learn from patience is “Patience” ❤

An Dannsa Dub Coming to thrill your senses at a venue or festival near you soon. Thankyou for my Guestie ❤ It was a brilliant night ❤

Mark ‘Divine’ Calvert

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Usher Hall, Edinburgh
13.03.2023

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James Cole began this project eight years ago, while touring the tribute acts “Brit Floyd and Rumours Of Fleetwood Mac. Both acts had a great reception and did very well indeed. After the success of two successful tribute bands. James conceived the idea of a live touring delve into his record collection. Almost like a Rock N Roll Juke Box. Without a fixed set list, where songs performed depended on the feel and enthusiasm of the audience on each night of this 39 date tour of the United Kingdom.

The Band
James Cole. Electric and Acoustic Guitars.
Tim Brown – Drums
Wayne Banks – Bass
Pete Thorn – Electric Guitar
Henry Burnett – Keys
Rudy Cardenas – Lead Vocal
Jesse Smith – Lead Vocal
Jess Harwood – Lead Vocal.

I met the amazing photographer, Raymond Speedie at the box office of the Usher Hall, we picked up our tickets and found our seats. for this Rock N Roll cabaret, Indeed it had been described as a delve into James Cole’s record collection a selection of Rock N Roll greats, renditions and arrangements of songs that have sold billions of records. From soft rock crooners to hard rock megaliths, I didn’t have a clue who sang the originals of the opening numbers or what they were called, It was only by seeing pictures of the artists that created the music I was listening to projected onto the stage screen and even then I had difficulty figuring out who sang the song.. Rainbow, Rush and probably another prog 80’s metal band, I was in the minority though, most of the audience were singing along pleasantly.

I was a fully-fledged New Romantic in the 80’s Metal didnae get a look in. It wasnae until we moved halfway through the first set. That Mark Knofler came up on the screen, Oh good am gonna know this one, aye it was Romeo and Juliet by Dire Straits its a nice song, not that I bought it, but I saw it on Top Of The Pops, Things geared up with an honest rendition of Another Brick In The Wall by Floyd, and indeed, yes, it was perfectly performed – I can see how the Brit Floyd impressed. These guys do have a massive supportive fan base, the Usher Hall is a large venue and it was near to sold out with 50-something rockers. Joyce and her husband had come up all the way from Dumfries, they were with friends they had all seen this band many times, Joyce was 81 and she was grooving. Joyce had the moves, especially when Led Zeppelin’s Whole Lotta Love began its opening riff.

By the second half of the concert, the PA had been amplified somewhat, I couldnae help thinking it was too loud, maybe even distorting, My ears are still ringing as I am writing this. It was when Bowie’s Space Oddity was performed, I really enjoyed the musical arrangement of the song, specifically the keyboard players Avant Garde touches, I almost thought that the band were going to follow with Aladdin Sane, It would have worked. Then we had Queen’s Bohemian Rhapsody played live in its entirety, I am not sure that Queen did the whole song live, am pretty sure the middle vocal harmonies were a taped performance segment, because they were too difficult to do at the time. However the three singers tonight did a sterling Job of bringing Freddie back to life. There was an Eagles song that I had never heard before, am not an Eagles fan, although I do like Hotel California, And the Bonnie Tyler’s “Total Eclipse Of The Heart” surprised me.

I Know, I Know, I Know! its not my record collection, if It had of been there would have been a lot more Clash, Siouxsie And The Banshees, Soft Cell and The Human League in the mix. There were a few more soft rock songs, the likes of Journey and Toto. The crescendo was a mega mix and yes, they brought the house down. but on the whole, tonight was a retro feel-good cabaret, Performed by very talented professional musicians. Expertly orchestrated and brilliantly presented.

James Cole, the musical director and guitarist, stated that the show was akin to a jukebox. What it boils down to personally I just wouldnae have put a lot of the songs performed tonight on a Juke Box. Brilliant in parts and a fair representation of rock classics, Meatloaf’s Bat Out Of Hell and Lynard Skinard’s Freebird and Status Quo’s “Get On Down” had the balcony bouncing, and yes it was as near perfect as the originals.

This was date 35 of a 39-date tour, a massive production on the road, with material this well-rehearsed, renditions of songs that the baying audience wanted to hear Fleetwood Mac’s “Tusk” got a standing ovation. Indeed the collective masterful musicianship and brilliant voices collectively took everyone on a trip down memory lane. The band and the audience had a thoroughly good time.

Divine on Words, Raymond Speedie on Photographs

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Sons of Liberty head out on a co-headline tour with Preacher Stone from USA. The Mumble caught up with two of ‘The Sons’, Fred & Moose.

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What are your first musical memories?

Guitarist Moose –
“My Nan played piano and my Mum sang and played violin, so music was there right from the start – I ended up playing trumpet in a Glenn Miller style swing band and singing a bit too, so something definitely rubbed off. Then there were bands like The Sweet or Slade on the radio or TV, and I realise now that they were my first exposure to rock music, despite being a bit over the top with the whole glam image thing.”

Who has been your greatest musical influence over the years?

Guitarist Fred –
“As a band made up of individuals we have a wide range of musical influences right through the decades. I guess what got me interested in guitar music in the first place were the great 70’s rock bands like Thin Lizzy, Deep Purple, AC/DC, UFO, Blackfoot and I was always a big Budgie fan.”

So… desert island, solar powered CD player, 3 albums – what are they?

Moose –
“Damn, that’s just too hard – picking just three is almost impossible! I’ve still got 100’s of vinyl singles and albums, and even today with streaming and Spotify etc I’m still adding to a vast CD collection almost every month. So, how about Operation Mindcrime by Queensryche, Diary of a Madman by Ozzy Osbourne and Unleashed In The East by Judas Priest (with the extra tracks from the 7” single that came with it originally). Yeah I know, nothing especially southern…”

Tell us about the Sons of Liberty – who is in the band, where you all from, & what you all about?

Fred –
“The band was formed in 2014 around a shared love of new and old Southern Rock from the classics of Skynyrd, Blackfoot and Molly Hatchet to the current bands like Cadillac Three, Blackberry Smoke, Black Stone Cherry who were starting to gain some traction in the UK at that time. We started writing and recording our own music as a band in the second half of 2016. Original members are Andy Muse (guitars and vocals), Mark Thomas (bass and vocals), Steve Byrne (drums) , myself on guitar and last year we were joined the boy Rob Walker on lead vocals. We are all based in the south west around Bristol and South Wales except Rob who is a Brummie, now living in Dunstable. We’re a pretty straight up honest rock band; that puts everything we have in the tank into our live shows, song writing, recording, merchandise as well as our engagement with everyone who is kind enough to come and see us perform or who buy into the band in any way. We work very hard at everything because we really enjoy the whole Sons experience.”

What is it about the music of the southern states of America that makes you, & the rest of the band, tick as musicians?

Moose –
“The storytelling is just brilliant, with real-world characters and situations that are kinda easy to connect with. Add that to some cool music that has the scope to be vicious and raucous or warm and sentimental, sometimes in the same song, and you’re off and running. The authenticity of the songs from bands like Skynyrd or Blackfoot, or more recently Brothers Osbourne, TC3 etc is really inspiring, and we’ve tried to bring some of that to our material too. Plus we get to kick up a storm live, and wear some daft hats etc too, hahaa!”

It has been over a year now since your highly acclaimed “tricky” second album ‘Aces & Eights’ – is there anything in the pipeline?

Fred –
“Yes! We’ve been busy writing and recording for the as yet unnamed album #3. We were in the studio at the end of 2022 laying down the music and we’ll be heading back in to finish off the album soon. We have returned to Momentum Studios, where we recorded ‘Aces & Eights’, working with the incredibly talented Josiah J Manning again. Josiah does everything in the studio so well, not only production, engineering and mixing, he’s been like a 6th member of the band throughout. Album #3 will be a bit special…that’s all we can say at the moment.”

You’re just about to head out on tour – can you tell us about ‘THE OLD COUNTRY RAMBLE’ tour?

Moose –
“It’s gonna be a hoot! There’s nine dates over ten days, kicking off on the 22nd of March at The Thekla in Bristol, taking in Real Time Live in Chesterfield, Hard Rock Cafe in Glasgow, Bannerman’s in Edinburgh, Trillians in Newcastle, The Musician in Leicester, Nightrain in Bradford and The Victoria in Swindon before wrapping up at Leos Red Lion in Gravesend on the 31st – I think the Preacher Stone guys will be flying home with a hangover the next day! We’ve got a day off in Liverpool too, so it’ll be fun to hit the Cavern and check out a few of the musical tourist stuff too.”

How did the connection with Preacher Stone happen?

Fred –
“We have loved Preacher Stone for years, we buy their music and we even covered a couple of their songs back when we started out. I hooked up with Marty Hill (guitars) and Jim Bolt (bass) on-line about the time we first started recording and we have sent new music back and forth for a while…we always seemed to have a lot in common, our outlook, the passion for the music and a similar work ethic… so we kind of became distant friends and have followed each others exploits. I think Preacher Stone have always wanted to come to the UK and with their new album on the way they got in touch to see if we could make something happen together….which has become ‘The Old County Ramble’.”

You’ll be heading up here to Scotland, where we’re hoping to catch you guys – have you ever played in Scotland before?

Moose –
“Hell Yeah! Scotland has been really kind to us as a band so far – we’ve played WinterStorm at Troon a couple of times and have made three other trips north of the border for headline and support shows too. I guess we get to feel like a real “Southern” band once we get that far north, and we’re really looking forward to reconnecting with fans old and new at Bannerman’s and the Hard Rock Cafe, two great venues!”

What does the rest of 2023 have in store for the band?

Fred –
“As well as finishing and launching the new album we will be producing some singles and videos from that. We have another busy live schedule too with a few early club dates in the diary. We’ll be heading out to tour the new album later this year, before that we will hit the festival season, which will include Maid of Stone Festival in Kent, Firestorm Festival Manchester, Nene Valley Rock Festival and a few still to be announced here in the UK and in France. We also plan to play some club shows in Northern Europe in the autumn. No rest for the wicked!”

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SONS OF LIBERTY: UK TOUR (with Preacher Stone)

Tweets by SonsLibertyUK

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QMU, Glasgow
1st March, 2023

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I relished the thought of attending Glasgow University’s Queen Margaret Union, or QM as it is so affectionately called. It is a venue of high esteem and has played host to many bands before they became famous. We were there for an evening of live music from the band ‘The Black Angels’, who are a notoriety act of what has come to be termed psychedelic rock. Hailing from Texas they formed way back in 2004 and have released 6 studio albums and they are steeped in folk lore.

But first on was a band called Tamar Aphek a self titled group had a rock line up but their music turned up the volume in waves of something akin to heavy metal. The singer Tamar’s vocals gave the rock its sense of appeal trashing through their workings. She is a herald of underground music in Israel, and as a student formed a few bands with colleagues.

They blasted the stage and lit the room as a group, far out and tightly wound. As the gig came alive the time grew closer to the Angels arrival, the spacious room filled and an excitement rose. Their name is something plucked from a Velvet Underground’s song (on the darker side) ‘The Black Angels Death Song’, but in their lyrics they also allude to an Edvard Munch quote where he said the words prophetically spoken ‘Illness, insanity and death are the black angels that kept watch…’

Their take on the night was to a crowd enthralled and into the psychedelic tunes that the band were very well ready for, from the room opening up for the first tune. You got the feeling of an aura between the band and their audience, and this brand of music is fit for a darkening and overcasting and a bending yet still has an overarching power to greatly entertain.

It’s a brilliant mode that brings rock back and tunes itself to the expansion of a mean kind of take on psychedelic impressions. This gave the band a kind of fearful sense, of a band whose work includes many collaborations live and recorded. And at one of the best venues their fans came together for a good time and a celebration of dark odds.

The band uses the power of music to the extent of resembling opera in its revelations not that the writing itself was so but the epic sense was in action, of cool and collected but ready to be ruckus, out there and dynamite in style.

Their Album ‘Wilderness of Mirrors’ released in 2022 had come after making their way through the underground with such swift proficiency making them very much the real deal. All of which made the act very successful for music fans with a genuine quality.

Their sound and stance goes well beyond and created a satisfaction that charmingly stormed the room, and their levels of the psychedelic genre, they were an enchanted fore runners of new and loud rock, with the kind of vibrations of a conquering of music, scene, fan love and adoration of the power that rock can hold.

Very exciting, a magical venue for an up front, expansive act of soul discovery, embrace and expression. Darker than those more mainstream rock acts who have no real power. Instead holding that power, feeling it in your hand and then through music to specify itself in the power of letting things go and be no matter what, undeniable music of passion.

Daniel Donnelly

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To my great discovery I had the chance to hear a new out there and fresh from experiment album called ‘God Complex’, it has a very simple and artful cover of three cross shapes in a black and white colour, the image bent my head a little and even looked somewhat comical.
This album is the eighth brain child of Steven Vickers who performs as the prolific ‘Mid Life Krysis’ it is a high energy, somewhat of a masterpiece, of learned and condensed musical journeying joining a long held tradition with a short hand of prose.

His act is centred around free and well written rapid forms of vocals. His style is to rouse and his descriptive powers make the discovery of this album a rewarding one. ‘Mid Life Krysis’ 8th album shows a journey of hits and parades of success and gut wrenching failure. He writes and performs as a one man act, though his fusions of a good few styles come together, rapping and singing, beat bopping and cajoling, many elements to form a unique style.

He carefully and with face to face subtly eases us in with many twists of lyrical and musical flow. Offering out ethical triumph from a world made brave from wisdom and as loud as techno (though a deeper kind). We dive into a message that grew in all ways toward thoughtfulness of clarity but in the guise of a madman in your ear.

He has picked a plight of showman to gather his thought and music to make points and in his lyrics we find this close appeal even as he brings it all crashing in. We get a look inside a scene that finds modernism, but comes with honesty. Backed by lavishly dressed ovation’s that his sounds strike out with. It is material in possession of and in a beginning of powerlessness to introduce this fiery, joyfully vivid album.

I met Steven on a boat to Arran about a couple of years ago, we where there a few days and I found myself in a house with maybe 8 or 9 of us there bopping to his ‘Mid Life Krysis’ material. He was warming up for a gig back on the mainland. It was a joy to meet him and his music had great appeal.

‘God Complex’ (released Feb 10) is the coming out of a chrysalis, mixed with superfluous talents, great skill and even a purpose. He lays a path from song to song for us to track the graduating yet easy sending of an epic playlist of good original music.

He places his tones by blasting through noise into well thought out tirade’s of those voracious lyrically speeded up creations, not least his ability to switch you off.

I have poured through his wonderfully large, outlandish and feverishly fresh lyrics, written to ever give a cause to his proceedings. I was happy to energetically expand while emotionally shrinking, in music that offered a style of things. Was this an ability to reach for the subconscious in each song and come out till making sense, with a kind of abruptness!

A sense of the spontaneous, challenge arrived, almost a confrontation that he has come to thrive in. Songs deliberated in this style that have come from genuine experience he lights his fire, creates chaos but still loves what he is doing which is to theme songs as a crazy professor. But he finds sensitivity, charm and vulnerability.

For the posterity of sharing this deliciously powerful, unequivocal recording I will showcase a few lines and leave them without comment from me. The very first line in the very first song called ‘The Satanic Bars’ this is how he starts it off:

The wrath of God gave plenty of fodder,
To homicidal despots unleashing their brand of horror,
On an unsuspecting populace,
The power of the prophets is often monstrous,
Of course it is

Ok, so we’re in the pace now, things are in a flow, straight to the point, the emanating idea starts to form, with questions not yet answered. The piloting title of this new album ‘God Complex’ has of course a number of possible meanings all of which are hinted at during the album. The goal must have been of a story with a big heart that cleverly seeks to disrupt.

His fresh seeking genre has a wonderful quality of psychology that seems to ride in the songs and story; that gives it another emotional appeal for the journey he is trying to navigate.

There is fine art behind this lad from Leith’s expansively musical concoctions, subject of all kinds, and gregarious tides. His hit comes frequently, as he transforms the meaning of his poetry, fusing with the theme in a turn, sowing seeds of the ‘God Complex’ into a metamorphosis from pain and metal into a lovingly creative hope for things yet to come.

For the entire album he is far from home yet never lost, I recall a ‘Krysis’ gig in Glasgow’s Room 2 where he broke a cherry as a hard core definitive act with words I could only just decode, obviously words to pick a fight. His signature has changed for me into the blossoming of any and every kind of life, music booms with electricity, sound approval and dichotomy.

So here’s my second and final quote from Mid Life Krysis new and strong album, I will select it from the 8th track ‘The Religion of we’:

In the singing of a pretty bird sat out upon a fence,
The smell of flowers almost makes me know what Jesus meant,
When he said to love your brother that cannot be wrong,
With God at my side maybe I was perfect all along.

Predominantly a rap show, a one man condensation, where the possible’s are his aims to cram as many words in the least amount of time, manic and centred and happy to share the creative process, as I heard melodies that weren’t really there.

The 12-track album sits very nicely as an incredibly strong and well positioned musical tirade that has a great, complete examination of the modern world, behaviour and what not. Having eight albums alludes to his marked success; that may break with this one. He plays around with everything he can get his hands on, his skills are now fluid. A heartfelt wish to create an unease, with a message of reprieve, his vocal jaunt with the heat of a dragonfly.

Heavy thought, hard light, enjoyable, immersive, poetry and music well in hand. A vocal reference in the ‘God Complex’ is it his? Does it belong to the world? Or is it a question of truth? Joyfully holding up a powerful and thorough musical (like fused dynamite) reflection; rapidly construing success in an all round purpose of creative recording both modern and wise, a multi facetted mask to a remarkable album.

Reviewer: Daniel Donnelly

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LISTEN TO GOD COMPLEX HERE